Composition

EAN : 9781915743428

IRONS SHIRLEY

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Nouveauté

Édition papier

EAN : 9781915743428

Paru le : 20 mai 2024

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Détails

EAN13 : 9781915743428
Date Parution : 20 mai 2024
Disponibilite : Disponible
Barème de remise : NS
Nombre de pages : 152
Format : H:254 mm L:203 mm
Poids : 901gr

Résumé

Résumé : ‘I’m interested in how we read images, how little is enough to be legible, how reflections can act as light and memory. By using paint, I can give those side-glances a moment of slow attention. By using photography, I can capture them.’ This two-volume publication from Shirley Irons brings together an overview of the artist’s paintings to date, alongside multifaceted reflections on art, artmaking, and landscape through a selection of her short essays and stories. Irons’s subtle oil paintings of landscape fragments and urban interiors are based on photographs taken as she moves through the world, blending realistic details with abstract applications of paint to explore how much information is necessary to render an image legible. The first volume presents a collection of the artist’s paintings made between 1988 and 2019, many of which depict transitory spaces – such as highways, airports, and hallways – appearing vacant and aloof. These fleeting landscape scenes, often capturing the perspective of someone on the move, give meditative attention to side-glances and everyday objects. The second volume marks a turning point in Irons’s process prompted by the pandemic lockdown, presenting still life scenes painted from observation. Alongside this quiet collection of paintings are the artist’s own writings considering the nature of looking and the genre of still life with both insight and humour.
Biographie : Shirley Irons is a New York-based artist, educator, and occasional curator. Her work employs both photography and painting as a medium to depict fleeting environments with low levels of information using horizons, composition, and still life in search of the permanence of an image. Irons has exhibited in group shows nationally and internationally, including the 2014 Whitney Biennial. She has had solo exhibitions at White Columns, Queens Museum, Tyler Gallery at Temple University, Staniar Gallery at W&L University, and Luisotti Gallery, Santa Monica, Catskill Art Society in Livingston Manor, NY, and at the Werkstadt Graz, Austria. Her work has been written about in the LA Times, New York Times, Art Papers, and