Nous utilisons des cookies pour améliorer votre expérience. Pour nous conformer à la nouvelle directive sur la vie privée, nous devons demander votre consentement à l’utilisation de ces cookies. En savoir plus.
Kunié Sugiura
EAN : 9781915743817
Édition papier
EAN : 9781915743817
Paru le : 3 mars 2025
65,00 €
61,61 €
Bientôt disponible
Pour connaître votre prix et commander, identifiez-vous
A paraître 3 mars 2025
Notre engagement qualité
-
Livraison gratuite
en France sans minimum
de commande -
Manquants maintenus
en commande
automatiquement -
Un interlocuteur
unique pour toutes
vos commandes -
Toutes les licences
numériques du marché
au tarif éditeur -
Assistance téléphonique
personalisée sur le
numérique -
Service client
Du Lundi au vendredi
de 9h à 18h
- EAN13 : 9781915743817
- Date Parution : 3 mars 2025
- Disponibilite : Pas encore paru
- Nombre de pages : 132
- Format : H:290 mm L:280 mm
- Poids : 0gr
- Résumé : We may assume (as a principle) that photography (photographing) is objective and painting (rendering) is subjective. Usually an artist chooses either approach, but I choose a method that ties the two together, makes them parallel or combines them.’ Kunié Sugiura From the beginning of her career in the mid-1960s, Kunié Sugiura has carved out a distinctive artistic practice which embraces unconventional photography techniques and multimedia expression. Sugiura’s manifold engagements with the mediums of photography, painting, and sculpture are brought together in this collection of her defining works, mapping the expansion of her dynamic practice spanning nearly six decades. Sugiura has consistently disrupted conventions of photography with new materials to generate multi-layered works. Her interests in corporeality, the natural world, and urban landscapes infuse her varied and experimental projects, which incorporate psychedelic and solarised imagery, photographs printed on canvas, photograms, and x-rays. Echoing her identity as a Japanese person living most of her life in New York City, her heterogenous work forms a generative exploration of hybrid forms which rebukes singular definition. With an essay by editor Erin O’Toole