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Painting Photography Painting
EAN : 9781913620974
Édition papier
EAN : 9781913620974
Paru le : 31 déc. 2099
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28,44 €
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A paraître 31 déc. 2099
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- EAN13 : 9781913620974
- Date Parution : 31 déc. 2099
- Disponibilite : Pas encore paru
- Barème de remise : NS
- Nombre de pages : 240
- Format : H:228 mm L:140 mm
- Poids : 0gr
- Résumé : Painting Photography Painting is the essential first collection of essays by critic and theorist Carol Armstrong, bringing together writings encompassing the many inflection points of her academic work, including French painting, early photography, feminist theory, and the representation of women and gender in the visual arts. In the book’s titular essay, Armstrong asks of Ellen Gallagher’s 2008 painting An Experiment of Unusual Opportunity, which depicts a barely-visible sea creature created out of ink, graphite, oil, varnish, and variously sliced paper, ‘in what sense is this a painting exactly?’ This enquiry into the very essence of the medium provides a thread that runs throughout the book’s wide-ranging essays and ties together a variety of works ‘inscribed, drawn, printed, photographed, and variously pierced and punctured.’ Considering the very essences of these various works on paper , Painting Photography Painting provides a compelling path through Armstrong’s decades of writing, weaving together figures from across the nineteenth and twentieth centuries including Helen Frankenthaler, Paul Cézanne, Ellen Gallagher, Georges Seurat, Julia Margaret Cameron, Tina Modotti, and Diane Arbus in a single, illuminating volume.
- Biographie : Carol Armstrong, appointed to the faculty of the Department of the History of Art at Yale University in 2007, teaches and writes about nineteenth century French painting, the history of photography, the history and practice of art criticism, feminist theory, and the representation of women and gender in art and visual culture. She has published books and essays on Edgar Degas, Edouard Manet, Paul Cézanne, and nineteenth- and twentieth-century photography, modern and contemporary women artists, and has curated exhibitions at Princeton University Art Museum, the Drawing Center in New York, the Yale Center for British Art, and the J. Paul Getty Museum. She has been a frequent contributor to October and Artforum magazines, and continues to be an active art critic. She is also a practicing photographer. She is currently finishing a book on Cézanne and his afterlives and working on a new project on modern medium-specificities in the visual and verbal arts, considered from a feminist point of view.