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The Gentleman of Fifty and The Damsel of Nineteen
EAN : 9791041818006
Édition papier
EAN : 9791041818006
Paru le : 26 juin 2023
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- EAN13 : 9791041818006
- Réf. éditeur : 288321
- Date Parution : 26 juin 2023
- Disponibilite : Disponible
- Barème de remise : NS
- Nombre de pages : 32
- Format : H:210 mm L:148 mm E:2 mm
- Poids : 57gr
- Résumé : " Passing over Ickleworth Bridge and rounding up the heavily-shadowed river of our narrow valley, I perceived a commotion as of bathers in a certain bright space immediately underneath the vicar's terrace-garden steps. My astonishment was considerable when it became evident to me that the vicar himself was disporting in the water, which, reaching no higher than his waist, disclosed him in the ordinary habiliments of his cloth. I knew my friend to be one of the most absent-minded of men, and my first effort to explain the phenomenon of his appearance there, suggested that he might have walked in, the victim of a fit of abstraction, and that he had not yet fully comprehended his plight; but this idea was dispersed when I beheld the very portly lady, his partner in joy and adversity, standing immersed, and perfectly attired, some short distance nearer to the bank. As I advanced along the bank opposed to them, I was further amazed to hear them discoursing quite equably together, so that it was impossible to say on the face of it whether a catastrophe had occurred, or the great heat of a cloudless summer day had tempted an eccentric couple to seek for coolness in the directest fashion, without absolute disregard to propriety. I made a point of listening for the accentuation of the 'my dear' which was being interchanged, but the key-note to the harmony existing between husband and wife was neither excessively unctuous, nor shrewd, and the connubial shuttlecock was so well kept up on both sides that I chose to await the issue rather than speculate on the origin of this strange exhibition. I therefore, as I could not be accused of an outrage to modesty, permitted myself to maintain what might be invidiously termed a satyr-like watch from behind a forward flinging willow, whose business in life was to look at its image in a brown depth, branches, trunk, and roots. The sole indication of discomfort displayed by the pair was that the lady's hand worked somewhat fretfully to keep her dress from ballooning and puffing out of all proportion round about her person, while the vicar, who stood without his hat, employed a spongy handkerchief from time to time in tempering the ardours of a vertical sun. If you will consent to imagine a bald blackbird, his neck being shrunk in apprehensively, as you may see him in the first rolling of the thunder, you will gather an image of my friend's appearance...."
- Biographie : George Meredith OM (12 February 1828 - 18 May 1909) was an English novelist and poet of the Victorian era. At first his focus was poetry, influenced by John Keats among others, but he gradually established a reputation as a novelist. The Ordeal of Richard Feverel (1859) briefly scandalised Victorian literary circles. Of his later novels, the most enduring is The Egoist (1879), though in his lifetime his greatest success was Diana of the Crossways (1885). His novels were innovative in their attention to characters' psychology, and also took a close interest in social change. His style, in both poetry and prose, was noted for its syntactic complexity; Oscar Wilde likened it to chaos illumined by brilliant flashes of lightning. He was an encourager of other novelists, as well as an influence on them; among those to benefit were Rrt Louis Stevenson and George Gissing. He was nominated for the Nl Prize in Literature seven times.
